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Film --- anno 1900-1909 --- anno 1800-1899 --- United States --- Motion pictures --- History --- United States of America
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Silent films --- Point of view (Motion picture) --- Gaze in motion pictures --- Films muets --- Point de vue (cinéma) --- Regard au cinéma --- History --- Plots, themes, etc --- Histoire --- Intrigues, thèmes etc --- 791.43 <09> --- Point of view (Literature) --- -Silent films --- -#SBIB:309H523 --- #SBIB:309H526 --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures --- Fiction --- Narration (Rhetoric) --- Persona (Literature) --- Filmgeschiedenis. Filmhistorie --- History and criticism --- Audiovisuele communicatie: verhaalanalyse --- Psychologie van de audiovisuele boodschap --- Technique --- 791.43 <09> Filmgeschiedenis. Filmhistorie --- Point de vue (cinéma) --- Regard au cinéma --- Intrigues, thèmes etc --- #SBIB:309H523
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Pathé 1900 retrace l'histoire de cette société qui a été l'une des plus importantes au monde au cours des vingt premières années du cinéma. De plus, ce livre comporte l'analyse filmographique de 42 films produits par Pathé avant 1910 montrant bien l'importance de rechreches sur le cinéma des premiers temps
Silent films --- Films muets --- Catalogs --- Catalogues --- National Film Archive (Great Britain) --- Pathé frères (France) --- Histoire du cinéma --- Pathé frères (France) --- France --- Silent films - Catalogs --- Catalogs.
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At the turn of the twentieth century, cinema was quickly establishing itself as a legitimate form of popular entertainment. The essays in American Cinema 1890-1909 explore and define how the making of motion pictures flowered into an industry that would finally become the central entertainment institution of the world. Beginning with all the early types of pictures that moved, this volume tells the story of the invention and consolidation of the various processes that gave rise to what we now call "cinema." By examining the battles over patents, production, exhibition, and the reception of film, readers learn how going to the movies became a social tradition in American society. In the course of these two decades, cinema succeeded both in establishing itself among other entertainment and instructional media and in updating various forms of spectacle.
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Motion pictures --- Motion picture plays --- Narration (Rhetoric) --- Cinéma --- Scénarios de cinéma --- Narration --- Philosophy --- History and criticism --- Philosophie --- Histoire et critique --- Motion pictures and literature. --- 791.43:003 --- Motion pictures and literature --- #SBIB:309H523 --- #SBIB:309H507 --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Semiotiek in de film --- Audiovisuele communicatie: verhaalanalyse --- Code en boodschap: narrativiteitstheorie --- 791.43:003 Semiotiek in de film --- Cinéma --- Scénarios de cinéma --- Narration (Rhetoric). --- Fiction --- Literary semiotics --- Film --- CDL --- 791.41 --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Récit filmique --- Esthétique
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A travers une analyse de l'histoire du cinéma, et en particulier de la révolution numérique, les auteurs proposent une réflexion pédagogique sur l'environnement médiatique du cinéma comme clef de compréhension de l'évolution contemporaine.
Motion pictures --- Motion picture industry --- Digital cinematography --- Digital media --- History --- Technological innovations --- Influence --- Motion perception (Vision) --- Cinéma numérique --- Perception du mouvement (Vision) --- Cinéma et société --- Médias numériques --- Cinéma et société. --- Cinéma numérique. --- Innovations. --- Cinéma numérique --- Cinéma --- Perception des images --- Histoire et critique. --- Histoire --- Industrie --- Influence. --- Aspect social. --- Aspect social --- Innovations --- Cinéma --- Social aspects --- Motion pictures - History --- Motion picture industry - Technological innovations --- Digital media - Influence
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"This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger."--Publisher website
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